This week, I drove 200 miles to Memphis to check out their art scene. I was inspired by LOCATE Arts, an initiative launched by two Knoxville artists to bridge the gaps among Tennessee’s art scenes by organizing a TN biennial and creating a centralized website of exhibition listings. (Read more about it here.) Modeled after Texas’ Glass Tire, LOCATE Arts would unify artists, galleries, and all exhibition spaces in Nashville, Memphis, Knoxville, and Chattanooga.
I loved being in Memphis. I looked online and asked around for places to go, but some of my favorites were spaces I was led to once I arrived. In two home galleries, people are eschewing the confinement and exclusivity of commercial galleries to show work that’s relevant, hip, and local.
GLITCH is the home and gallery space of artist Adam Farmer. Although he was between shows when I visited, he was kind enough to let me take a look around and hang for a bit. The two front rooms were empty, but the walls were painted — some like outer space, another with light geometric shapes, another like wallpaper. They change for pretty much every show. Farmer curates solo exhibitions and group shows — sometimes with a huge roster of artists — of everything from paintings and drawings to cigar boxes and book arts.
Making your way to Memphis for a GLITCH opening would be worth the trip in itself. Farmer invites musical guests and performers for an all out party. Most opening receptions are the second-to-last Friday of every month, but you can always check the GLITCH Facebook page to see what’s coming up. The rest of his house — his studio, bedroom, kitchen, and even bathroom — is a funky museum of Farmer’s work, artistic collaborations, and work by his peers. Well, it’s more like the collection of someone’s weird, hoarding great aunt than it is museum, but that’s all the better. In the backyard, I checked out Farmer’s assemblages, which he says are shrines to important turning points in his life. Follow Farmer and GLITCH on Instagram @glitchmemphis.
Farmer pointed me in the direction of another home gallery, Southfork, in the residence of Lauren Kennedy, and she was kind enough to invite me over on half-a-day’s notice. Kennedy’s apartment changes with each installation — many branching out to different rooms. I got to check out the current exhibition, hilariously titled Old Man Study Group, a collaborative show from Hamlett Dobbins and Douglas Degges. The two have been passing notebooks back and forth for years. I’m excited to dig into their process.
In the dining room, I discovered Carroll Nikkila’s creepy baby wall sculptures. I’d love to fall asleep to some of these beauties watching over me.
But what really rocked my socks were these two collages by an artist named St. Francis Elevator Ride. I’m telling you, the name is just the beginning. His work is a visual feast of bodies, birds, and food. It was love at first sight.
More on my Memphis travels coming soon!