COOP Gallery

Two Weekends of Art Crawling in July

This month, a tiny dream of mine is coming true: Nashville’s Downtown art crawl and its Wedgewood-Houston sister will happen on different weekends! Downtown kicks off tomorrow, Friday July 3 at 6:00. Make sure you hit COOP Gallery’s exchange exhibition with the New Orleans collective Staple Goods. The press release says that the collective functions out of what used to be a grocery store in the St. Claude Arts District, which shows how much the city has changed since I lived in there in 2005. (Arts district you say? Do tell!) I love COOP’s exchanges with other cities (you can read Laura Hutson’s article about its Nashville artists exhibiting in Brooklyn here), and I’m thrilled have some NOLA blood in the Arcade this month.

Earlier this week, I posted an interview with Briena Harmening, a textile artist and painter from right here in Tennessee. Harmening has a solo show at Blend called “I Bet You Think This Show Is About You,” and it will feature many of her crocheted paintings and sculptures. Also in the Arcade, Earbellum will have a group show including work from Ben Griffith. Ben brought us Tiny Galleries, which by the way is a great thing to do when you’re downtown (hint hint.) I was lucky to do a segment on WPLN about Ben, and working with him was tons of fun. He makes me happy.

The Arts Company opens Americana, an exhibition of LIFE Magazine photographers, including Ed Clark, Loomis Dean, Alfred Eisenstadt, John Loengard, and John Dominis, as well as sketches by artist and illustrator Ernest Hamlin Baker, as well as other gallery faves. WAG will have work from senior Casey Payne. Make sure to make your way over to Hatch Show Prints’ Haley Gallery, which will have monoprints by Master Printer Jim Sherraden. 40AU will have local printmakers Megan Kelley and Lindsy Davis.

Arts & Music @ Wedgewood/Houston will be Saturday July 11, and I’m looking forward to several show openings there.

It would sweet if everyone collectively is like, “It was so wonderful have two weekends of art. We should do it all the time!” (looking over at you, Zeitgeist and Fort Houston. ❤ <3) But I’ll take this month for now.

Bring an umbrella. xoxo

January Crawl +thank you from NYCnash

For me, 2014 was many things, not all of them good. But launching NYCnash lit the fire under me again as a writer. The blog has engaged me with the arts community in Nashville and has been responsible for me meeting so many funny, wise, talented people. I started NYCnash to help me get out and explore the city. I thought it also might get me writing again. My partner suggested the theme, a New Yorker’s Guide to Nashville, and though it resembles that less and less, it’s gone a long way in helping me feel at home. I’m really grateful that people actually read it, and I’m going to continue writing about what I discover here.

This Saturday I’ll don my long underwear for the first art crawl of the year. I plan to head downtown early to check out COOP Gallery’s exhibition of work from new members. From the press release:

McLean Fahnestock’s inkjet prints from her Rocketless Launch series evoke the shared experience of NASA mission broadcasts and question the future of space travel. Nick Hay’s ‘zine excerpts illustrate and detail an email exchange between a West African doctor and a proclaimed centaur hunter. Angela D. Lee’s photographic prints construct mysterious family histories. Robert Scobey’s plaster sculpture of a My Buddy doll allegorizes progress and tragedy through a lens of childhood imagination.

Print

COOP Gallery will show work from McLean Fahnestock, Nick Hay, Angela D. Lee, and Robert Scobey at Saturday’s art crawl.

Over at WAG, two Watkins juniors show paintings. Marlos E’van describes his show Funkhaus as having“an element of style, grace, violence, disorder and anything bordered. I intend to capture the grace of existence and present it in its elemental nature.” I’m really looking forward to seeing Aaron Harper Space Between Things, “featuring works derived from the experience of walking and driving around the city of Nashville during the night.” That will probably do it for my downtown crawling, although The Arts Company has Michael Weintrobe’s Instrumenthead, which I saw at OZ. It’s worth checking out in person because of the sheer size of the portraits.

amy pleasant

Gallery view of Amy Pleasant’s “re/form” at White Space (Atlanta). Pleasant will show at the Packing Plant January 3.

The Packing Plant has Amy Pleasant who is showing Around and Between, a new body of work that features paintings and a series of cutouts arranged as an archaeological dig. Pleasant’s work is thoughtful, often ambiguous in a way that makes us consider different possibilities. Her exhibition “re/form” at Whitespace (Atlanta) was named one of the best exhibitions in 2014 in BURNAWAY by artist Jiha Moon (see my picks, too). I can never get comfortable in the raw walls and chilly draft at the Packing Plant, which adds a fun element of precariousness to the installations, and curator Ann Catherine Carter has been bringing relevant, complex artists to this pop-up space. Around and Between will also host a closing reception January 8 from 5-8 pm, in case you miss it. Also in Wedgewood/Houston: It’s your last chance to see Greg Pond’s The Place You Will Wait for the Rest of Your Life at Seedspace, but before you go, read these two articles by Joe Nolan and Sara Estes. Louisville’s Dougas Lucas will present a sound installation at Fort Houston, Zeitgeist will have photography by Jeremiah Ariaz and paintings by Lain York, Julia Martin will present new paintings by Harry Underwood, and David Lusk will have Ted Faiers’ paintings and woodcuts. See you there!